Flowers come and go but the art that depicts them lasts centuries. Look to Ambrosius Bosschaert the Elder for proof. We’re talking 400+ years. What keeps those paintings here is their mastery and influence on the art world.
The most famous painting for us is Van Gogh’s Sunflowers. That was a series rather than one painting, as is the case with many of the greatest works.
Monet’s Giverny garden was the backdrop for his Water Lilies series, painted over decades to give us the famous masterful series we know today.
His paintings take solid flower forms and dissolve them into reflections on water. Pond surfaces are mirrors for sky and foliage, with no horizon for the eye in several works. It’s Monet’s broken brushstrokes of violet, green, and rose that suggest light.
A tinge toward abstraction is seen in Monet’s later efforts, with earlier Water Lilies more impressionist. The "Grand Decorations" (1914–1926) were his later panels.
O'Keeffe also painted a series of lilies throughout the early 1920s. Her 1924 work is the famous one, the entire frame filled with the flower and magnified, letting us see the petals and their colours in complete detail.
If Monet’s work is mirror-like, then O'Keeffe’s is lens-like. The Red Canna pulls you in and enlarges the form until it is abstract.
The close-up approach of her work was unique at the time, asking viewers to look slowly at the form and notice structures in the colours.
View painting at www.georgiaokeeffe.net
Henri Fantin-Latour’s work is a literal one. He paints what he sees, with no abstraction or moving away from realism. The lilies sit in a plain vase and the roses in a much smaller one, giving his work height against a somewhat plain backdrop.
Impressionists were breaking away from realism around this time, but Fantin-Latour stuck with what he knew to give us Roses and Lilies.
The work’s soft, even light gives the flowers a perfect sense of stillness. The lilies perch within the vase, with pink roses below.
Almond Blossom is one of Vincent van Gogh's most beloved works and a beautiful celebration of new life. He created it as a gift for his brother Theo and sister-in-law Jo to mark the birth of their son, who was named after Vincent.
The delicate white almond blossoms, set against a brilliant blue sky, symbolise hope, renewal, and fresh beginnings, as almond trees are among the first to bloom each spring. Inspired by Japanese woodblock prints, the painting's bold outlines and simple composition make it one of Van Gogh's most distinctive floral masterpieces.
View painting at https://www.vangoghmuseum.nl.
Mondrian’s flower paintings came well before his famous abstract grids, with his Amaryllis famous for its simplified appearance, stripped down to its essentials with a few clear shapes set against a blue background.
That blue background makes the red flowers pop and provides sufficient contrast for the light blue/greenish stem, set into a glass vase.
View painting at MoMA.
Ambrosius Bosschaert the Elder gave us flowers galore throughout his career. His tulips, roses, and irises are world-famous, with his work Flowers in a Glass Vase straying away from light backgrounds in favour of a moodier composition.
It’s the painting’s realism that is most striking. The pale roses, yellow and white narcissi, and that single yellow chrysanthemum look alive.
The dark background is a masterstroke in bringing the flowers to the fore; it frames them and draws all attention to the centre.
Read our pieces on the meaning of flowers if you’re drawn to what each bloom represents.
View painting at The National Gallery.
Klimt’s work was painted during the summers at Lake Attersee in the Austrian countryside. His Farmhouse Garden painting has no sky or horizon, only an array of flowers in multiple colours, as you’d expect to see from a natural spread.
You can see Klimt’s love for flowers on close inspection of his painting -- they’re packed together so tightly and in such depth that you can spend hours looking at them and keep finding new points of interest.
View painting at www.gustav-klimt.com.
Warhol took a photo of hibiscus flowers, originally taken by Patricia Caulfield, and turned that photo into a screenprint for his famous Flowers work.
He repeated the screenprint over and over in different colours. What’s notable about the work is that it strays away from Warhol’s consumerism, such as his Campbell's Soup Cans, giving us new subject matter to enjoy.
And yet, Warhol drained the flowers of their naturalism. He ran them through a mechanical process, turning them into a product, rather than a portrait.
View painting at THE MET.
Cassatt was very much in the Impressionist circle and didn’t do still life too often. Lilacs in a Window is one of her rarities, and perhaps, her best work, showing us the form of a bunch of lilacs in the setting of a crowded greenhouse.
The setting for Cassatt’s work isn’t typical. You’ll notice that most still lifes put the bouquet indoors. Also, it’s a quiet subject for her. Cassatt’s portfolio is one of mothers and children, and women in daily life. A pure flower is an outlier.
View painting at THE MET.
We’ll close out our famous paintings list with a relatively odd one from Dalí. His single red rose floats in mid-air, no stem, like it’s been thrown. It hangs in the sky over a flat plain where two small figures stand far below.
If you think the scale makes no sense, you’re right, and it doesn’t need to. Dalí’s work is meant to raise questions as part of its surrealism. The rose is a rose, the sky is a sky, but it doesn’t have any natural order.
View painting at https://www.dalipaintings.com.
Abstract or realism, Impressionism, or something between. Our list covers plenty and it’s fine to love each of them.
Our pick is Amaryllis by Piet Mondrian for its red and blue composition. Mondrian liked to paint one flower at a time rather than a bouquet, but if it’s bouquets you like, then Flowers in a Glass Vase by Ambrosius Bosschaert the Elder is the pick.